“Police Pigs"
                          The Multi Media Script 

RATED:  PG 13

SYNOPSIS:

Scene 1a:

NGT WD.  POLICE SUB STATION LATE EVENING
The Sign Reads The Text Below:

The building stands quiet, the lights are blind.  The parking lot open at thirteenth street.  That's where they want you to go to wait on the bench for a law enforcement agent to come out of the building and speak with you.

AMY CHASTE:  (sits on the bench, her head up and proud.)  

"Wait On The Bench and A Law Enforcement Agent Will Come 
Out of The Building To Speak To You." 
Reads Amy's Devise.

CLOSE UP:  FACE

JANET HASHTAG: (Bored)

You guys take care of that.  
I'm getting another one done and out before lunch.  



INT. CLOSE UP

RICHARD DICK: (Annoyed)

"I know I'm always an asshole but could you slow down at little bit.  
We got it good, don't we honey?  Come here now, before you open that door."




JANET HASHTAG: (relaxing) 

Ah, Dick. 

(The door rumbles with the two behind it.)

INT: CLOSE UP

(Janet and Richard embracing.)


JANET HASHTAG: 
Always a lover.  See you later.


INT: CLOSE UP 
PAN - (The lovers kiss good-bye.)

INT:  CLOSE UP FACE


AMY CHASTE: 
(Sitting on the bench waiting.)


INT:  POLICE SUB STATION BUSY AFTERNOON
Vivian Cure types a disturbance address into the communication system 
then clicks The GPS indicator.  Everyone in the vicinity can hear her.

VIVIAN CURE:  
10-100 Domestic Disturbance, 712 Ramona Street.  
Mutual Aid, Stand by.  (Vivian clears her throat.)

CLOSE UP LIPS:

VIVIAN: 
Next.  

(Vivian's voice can be heard outside broadcasting for those on the bench.)
(Vivian stands and walks to the side door, opens the door and looks toward the bench, smiling at Amy.)

AMY CHASTE:

(Looks startled and jumps to a stand.  She turns and gathers her things from the bench and takes a good long breath in and out. Amy looks directly at Vivian and smiles, her cheeks blush.  She walks up to Amy.)

VIVIAN CURE:

I don't want to see any of that dancing in this building, now Amy.
How's Your Aim?  We've Got A Mask For That Face of Yours.

(Amy and Vivian laughs out loud.)


AMY CHASTE:
I've been wondering where you been hiding Viv.
(She spells out the name, "V.I.V.") 


VIVIAN CURE:  
How's Your Aim?  I'm so happy to see you.  Get in here.

(They both enter the building and shut the door behind them.)

Hah, Aim.  I knew you would get here.

CUT:  

EXT:  POLICE CAR ON PATROL AFTERNOON
(On communication system)

KEVIN WEEKLY:  
Base Central.  Officer down.   Ricky?  Ricky?


​EXT:  FULL SHOT PAN IN:

(Crouching behind his car door, feet shaking.  Kevin is reaching for Ricky, but he is out of the camera shot.  Kevin looks at the camera, then frantically grabs off camera and pulls Ricky by his collar into the camera scene shot. )


RICKY SHOT:  
ugh...  ugh... ugh... thanks man...  

(Ricky slowly becomes vivid in the camera shot but the focus is fading.)

VIVIAN CURE:  
(Vivian runs to the speaker phone.  Amy looks confused.)
Hey, Kevin 

(Vivian over communication system)  
       Help is On It's Way, Hold On.

CLOSE UP:
RICKY SHOT 
(The camera shot fading)

(Vivian intense over speaker phone to all patrol cars)

VIVIAN CURE:  
10-31 Crime in Progress.  All Cars, Call Cars to:
712 Ramona Street.   Officer Out!  Officer Out!  Code 10-999 Officer Off Out!


Cut:  

EXT:  AFTERNOON - TYPICAL HOUSING TRACK

RICKY SHOT:  (digging into a half gallon of vanilla ice cream and squirting chocolate sauce from a plastic bottle onto two scoops.)

Cover me, I'm going in ...


  note: Comedy can remove negative connotations. 



CUT ​

INT. POLICE SUB STATION LATE EVENING
Two Officers Working, a Scantly Dressed Woman 
Walks Into The Sub Station

(speaking out the inner security window of the police substation office)

BRYSTOL BEAVER:

May I help you?



JANET HASHTAG: (Nervous)

CLOSE UP: FACE

You guys do a hell of a bang up job here. 
I ah, I ah, I it's like ah man said to me, ah, 
he said, he said, he said...inaudiable.

INT. CLOSE UP FACE

RICHARD DICK: 
(Over hears conversation)

(Janet Hashtag is buzzed thru the security door.  
She approaches Richard Dick)




INT. CLOSE UP

RICHARD DICK: (Annoyed)


Can I help you? We previously know one another. 
That's police talk for you and me. Do you remember you and me?



JANET HASHTAG: (relaxing) 

Ah, Dick. You make me drool. I got scared again, was playing 
the victim and this strange guy comes up from behind and starts 
just watching me, like I'm in a real hooker, you know the get up.

(She reaches in her dress to her knee sock and pulls out a 
 pack of camel shorts and starts to light one up.)


But, that don't make me a kitten like you.  

INT: CLOSE UP

(Janet and Richard laugh together.)


RICHARD DICK:
No smoking back here, Janet, I think the freak has gone to your head.


JANET HASHTAG: 
(Flicks the cigarette into the trash.  The cigarette circles the rim like 
a basketball would circle teh basketball hoop.) 

Always a pleasure, great seeing you again,  
"Dick Tisk..." like I care ...


BRYSTOL BEAVER:

Alright, you two knock one off. Do we have any hot coffee 
ready? No? I'm leaving you two alone. Be advised to watch the front desk or you'll be caught and put into jail. 

JANET HASHTAG:

INT: CLOSE UP – (looks embarrassed)
AMY CHASTE:
Innocent by Stander sitting outside on a bench waiting.

CUT TO:  
INT: DISPATCH DESK 

CLOSE UP:                              VIVIAN CURE:

(Eye lashes fan up to wide open eyes.)

VIVIAN CURE:
Unit be advised, civil unrest drunk ally scene. Unarmed and disturbing the peace at New Port and 10th Street.  


EXT: POLICE CAR ON PATROL MORNING

KEVIN WEEKLY:
Thanks "V" 58 that.

​CLOSE UP:                               VIVIAN CURE:

(The pillow talk was impossible to get out of her head. Vivian checks the calendar for notes and turns on her proud IBM Selectric typewriter. She smells Kevin Weekly on her skin. Vivian is purring, 'still' turned on. She closes her eyes and sees Kevin asleep in her early morning bed. Vivian wanting more... )

INT: POLICE SUB STATION MORNING

VIVIAN CURE:


Hey, Kevin (Vivian over car speaker)
You got anymore of that sticky sheet white out 
you showed me yesterday?

(Vivian laughs over the speaker with an innuendo shy smile and a roll 
of her eye balls over the back her head.)

KEVIN WEEKLY: 
(Immediately awake, sits tall in the police car.)

Of course, Ms. Cure. I'll be happy to bring you over another piece
at my break. (Kevin believes he is hiding his secret from Ben but it's obvious that they are sleeping together.)

BEN ROADKILL: 
Of course. (Laughing to himself.)


CUT: 

EXT: AFTERNOON - TYPICAL HOUSING TRACK

RICKY SHOT: 
(Ducking behind The Police car door while open. His leg thigh is exposed slightly at the side of the car door.) 

Cover me, I'm going ...


AUDIO CUT:                             Female Screaming

CUT TO:

AMY CHASTE: 
(Outside a house screaming at the open door.)

CLOSE UP BULLET RICOCHET TO RICKY SHOT:  

(Audio gun fire. Ricky's face in agony as he gets shot in the ex


Copyright 2000 Peggy Penny - All Rights Reserved-Opt out